Tracks - page 13

Working from their Chinatown studio, Northern American record very much as a collective, each member chipping in on every aspect of the writing process, which may go some way to explaining the balanced center and...

Depreston conforms to the rule that says Courtney Barnett doesn't know how to deliver a bad lyric, or anything other than the perfect melody to accompany the story.

Final Dance is a new track from Suffolk-based artist Francis Leone. The most dramatic of three new tracks, it frames Leone's baritone with a swirling chamber pop arrangement.

Winter’s Gone is a new single from Belle Ghoul, taken from last year’s Mini-LP Rabbit’s Moon & Doomsday. As well as Winter’s Gone, the single features live versions of two tracks from that LP -...

Dawn Faces is a scintillating brand new track from Acre Tarn, the electronic music project of Anna-Louisa Etherington, a singer/producer originally from the Lake District.

Strange Ways comes with NSFW and parental warning lyrics and an animated video featuring Vladimir Putin and lead singer Dragut Lugalzagosi. And why not, eh? It starts out all rich vocals and strong bass, and...

Canberra's Slow Turismo are an indie-pop / indie-rock band with an ear for the hook, and if Corners is anything to go by, not afraid to mix it up a bit.

Lucha is a two-piece band from Austin, Texas, creating interesting and absorbing soundscape using unusual instrumentation and found sounds. The Long Winter is their first release. In only five tracks, three of which are barely...

At the start of It's What Happens Next Is What Matters Most, the new single from Life in Film, you might be wondering what's happened to their sweet, skittery indie-pop. Fear not - stick around...

Brush Social Club features some pretty special interplay between Nolan's looped, echoey vocals, the gentle buzz of the bass, and lush orchestration that makes sporadic, dramatic appearances.

No Way Out is the first in what Warpaint have promised is to be a series of new releases through 2015. No Way Out showcases the quartet's casual knack for a tune and an ability...

Holy Smoke is a meditative, intense and personal track, Adams delivering studied lyrics against a sparse musical accompaniment

'FAO: anyone who is in a band that consists of fewer than three members. If you occasionally worry that your sound is a bit bland or flat, that your songs are a bit one-paced or...

Trying To Be Silent jabs and weaves, and at some point its storytelling sweep is surely bound to be picked up by a TV network somewhere and used to soundtrack a devastating end of episode...

Go! is the second single to be taken from Public Service Broadcasting’s new album The Race For Space, which was released this week to extremely positive reviews. We really hope to find time here at...

Neverending Fountain, which originally appeared on Range of Light, is given a moonlit makeover for this version, taken from the Supermoon EP. Where the album original was layered, this new take is lighter than the...

If I Were King is the debut single by Manchester-based solo artist Nicholas James Mallins, due out on March 9th. It’s the first part in a triptych of tracks Mallins will be releasing; the triptych...

Pinocchio is taken from the album Love is Louder, due out this summer. It starts off very good, then goes stratospheric with the arrival of its killer chorus. Awesomeness + attitude = Pinocchio.

Hold Me Closer is an electro-guitary triumph that somehow seems to gather layers, pace and intensity with every beat, while still retaining a sense of space and a still center.

While listening to this magnificently chilled track from Meeka Kates just now I lost all sense of time and space, finding myself carried further and further away on each wisp of The Waves.